latest CITY - November 26th - December 2nd 2003
Free weekly magazine from Brighton, UK
forever blondie
LATEST CITY TALK TO THE NEW WAVE SURVIVORS
Debbie Harry is defending her decision to feature an
image of a big kinky patent leather boot on the cover of
their latest album. So are they all foot fetishists, or
what? "I used to have a fan who came down in pink
high heels all the time," remembers Debbie by way of
explanation. Bassist Chris Stein has a thought:
"Actually Debbie's boots, one pair of her boots from
a million years ago, is what got us one of our earliest
gigs..."
Whatever their taste in footwear, Blondie can afford
to be jubilant - after all, they are riding the crest of
a wave. Atomic Kitten scored a worldwide number one with
their reworking of 'The Tide is High', and pop kittens
Kylie, Holly Valance and Rachel Stevens are all busy
adapting the synth meets guitars electropop sound that
the band helped to hone. This musical hero worship meant
that Blondie's pounding recent single 'Good Boys' sounded
cutting edge, rather than like the hoary old bleatings of
another 70s throwback.
Blondie began when art student Chris Stein met former
Playboy Bunny Debbie Harry. The two rapidly became an
item, and the couple became the nucleus of the band for
the next 30 years. So how do they explain their
longevity? Debbie has a theory: "We've been in
business together for a long time. We were successful, we
weren't successful and now we're successful again. I
think that each of us was motivated before we met, it's
not like our motivation came from working together."
This determination has helped the band survive the
lean years of the late 80s. Around this time Chris and
Debbie were also faced with problems more close to home.
As their records tumbled down the charts, Chris Stein
became seriously ill with a life threatening genetic
disease. Debbie understandably went underground for a
while, dividing her time between nursing Chris and
kickstarting her acting career. Thankfully, Stein
eventually recovered from his illness and was able to
take his place in Blondie once again.
Blondie's success in the face of adversity has
filtered into the music - the new album is called The
Curse of Blondie. Debbie reckons that "the curse of
Blondie has sort of been an ongoing refrain for us. When
anything bad happened or sort of untoward, you say ah,
the curse of Blondie. I always think of it as being sort
of funny."
However talented the boys in the band are, it's
Debbie's look and attitude that define Blondie. She is
philosophical about her style icon status: "What I
figured out is if you just last long enough, you know,
and sort of maintain some kind of, decent appearance,
you're OK, you become an icon." Though sceptics
point out that her enduring look may be down to the
wonders of a surgeon's knife, rather than the
rejuvenating qualities of a rock'n'roll lifestyle, Debbie
continues to be worshipped as a style supremo. Fashion
editors, club owners and movie makers are still pounding
on her door hoping for a slice of the glamour that she
leaves in her wake. Not bad for a woman of 'a certain
age'.
These days Blondie's original fans may prefer visiting
Ikea over pogo-ing, but Blondie are certainly one of the
musical wonders of the world still worth catching.