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Producer: Roxy Myzal
Released on: Chrysalis
Date of release: 1981
Cat No: CHS 24 PDJ
PRODUCTION MANUAL
PRODUCT:
RADIO INTERVIEW KIT
MODEL:
"AT HOME WITH DEBBIE HARRY & CHRIS STEIN
YEAR:
1981
STANDARD FEATURES:
PRINTED QUESTION CUE SHEET
INTERVIEW DISC - RECORDED ANSWERS BY DEBBIE HARRY
& CHRIS STEIN OF BLONDIE
AUDIO REFERENCE - AUTOAMERICAN, CHE 1290
DATA SUPPLEMENT - BLONDIE BIOGRAPHY
GENERAL DATA:
THE ENCLOSED MATERIALS ARE THE COMPONENT PARTS FOR
YOUR STATION'S PERSONALLY CUSTOMIZED INTERVIEW,
"AT HOME WITH DEBBIE HARRY & CHRIS
STEIN".
THIS PACKAGE IS DESIGNED TO INCORPORATE YOUR
INDIVIDUAL STATION'S REQUIREMENTS. IT INCLUDES THE
QUESTIONS/CUE SHEET, SEPARATELY BANDED
RESPONSES BY DEBBIE AND CHRIS, AND A COPY OF
AUTOAMERICAN. POSSIBLE FABRICATIONS RANGE FROM A
STRAIGHT QUESTION-ANSWER INTERVIEW TO A MORE
MUSIC-ORIENTED PROGRAM. WE MUST INSIST, HOWEVER, THAT
THE ENCLOSED CUE SCRIPT BE ADHERED TO, AS CHRYSALIS
RECORDS WILL NOT BE RESPONSIBLE FOR ANY LEGAL
RAMIFICATIONS INCURRED BY DEVIATION FROM THE SCRIPT.
CALCULATED DATA:
TIMES AND SEQUENCE OF ANSWERS
SIDE 1.
1. STATION PROMO...................:04
2. INTERVIEW PROMO.................:07
3. ANSWER #1.......................:44
4. ANSWER #2.....................:1:36
5. ANSWER #3.....................:5:31
6. ANSWER #4.......................:50
7. ANSWER #5.....................:1:11
8. ANSWER #6.....................:2:16
9. ANSWER #7.....................:1:54
10. ANSWER #8.......................:45
11. ANSWER #9.....................:2:15
SIDE 2.
1. ANSWER #10....................:2:18
2. ANSWER #11....................:1:53
3. ANSWER #12....................:1:28
4. ANSWER #13....................:1:36
5. ANSWER #14....................:3:25
6. ANSWER #15....................:6:09
STATION PROMO:
"HI, THIS IS DEBBIE HARRY OF BLONDIE, DON'T TOUCH
THAT DIAL."
INTERVIEW PROMO:
"HI, THIS IS DEBBIE HARRY OF BLONDIE, STAY TUNED
TO THIS STATION RIGHT HERE, AND YOU'RE GONNA GET THE
INSIDE STORY."
CALCULATED DATA:
QUESTION CUE SHEET.
QUESTION 1 . . . . THE PRODUCTION OF YOUR NEW
ALBUM, "AUTOAMERICAN", WAS TRANSFERRED FROM
GIORGIO MORODER (WHO HAD PRODUCED THE "CALL
ME" SINGLE) BACK TO MICHAEL CHAPMAN. WHAT
NECESSITATED THIS SWITCH, AND WHAT EFFECTS OR CHANGES
DID IT MAKE IN THE ALBUM'S TOTAL SOUND
QUESTION 2 . . . . THE NEW ALBUM, "AUTOAMERICAN",
HAS OTHER MUSICIANS AUGMENTING THE REGULAR MEMBERS OF
BLONDIE. TO WHAT EXTENT WILL THAT AFFECT YOUR LIVE
PERFORMANCES? WILL WE SEE ADDITIONAL PLAYERS ON STAGE
WITH BLONDIE?
QUESTION 3 . . . . HOW DOES "AUTOAMERICAN"
FIT INTO BLONDIE'S ALBUM HISTORY? IS IT A NEW
FRONTIER, NEW DIRECTION, OR A CONSOLIDATION OF
PREVIOUS IDEAS PRESENTED BEFORE?
QUESTION 4 . . . . THERE HAS BEEN A BIT OF
CONTROVERSY OVER THE LESTER BANGS PENNED "BLONDIE
BIO". COULD YOU SET THE RECORD STRAIGHT
CONCERNING YOUR FEELINGS TOWARDS THE BOOK AND THE
CIRCUMSTANCES INVOLVED?
QUESTION 5 . . . . THIS ONE FOR DEBORAH: DEBBIE,
THERE HAS BEEN MUCH HUB BUB ABOUT YOUR INVOLVEMENT
WITH GLORIA VANDERBILT/MURJANIJEANS. HOW DID YOU DEAL
WITH THAT PERSONALLY, AS FAR AS YOUR OWN CREDIBILITY
FACTOR IS CONCERNED?
QUESTION 6 . . . . COULD YOU TELL US A BIT MORE
ABOUT YOUR RECENT PROJECTS, SUCH AS CHRIS'S
PHOTOGRAPHY AND YOUR OWN INVOLVEMENT WITH FILMS AND
VIDEO?
QUESTION 7 . . . . COULD YOU CITE SOME OF THE
PEOPLE WHO HAVE INFLUENCED YOU BOTH MUSICALLY AND
CONCEPTUALLY? DO YOU HAVE ANY FAVORITES?
QUESTION 8 . . . . HAS THERE BEEN ANY RECENT
CONTACT WITH ROBERT FRIPP? TO WHAT EXTENT HAS HE
INFLUENCED THE BAND'S DIRECTION, BOTH PAST AND
PRESENT?
QUESTION 9 . . . . DO YOU REGARD TOURING AS A
POSITIVE IMPETUS OR CATALYST IN WRITING, GATHERING
IDEAS, ETC., OR IS IT JUST A NECESSARY EVIL?
QUESTION 10 . . . HAS FAME AND/OR SUCCESS INSULATED
YOU FROM THE "STREET SCENE"? DO YOU CHECK
THINGS OUT IN REGARD TO TRENDS, IDEAS, ETC., OR DO YOU
REGARD YOURSELVES AS TRENDSETTERS, AND USE THIS
INSULATION TO YOUR ADVANTAGE? IF SO, IN WHAT SENSE?
QUESTION 11 . . . FOR PEOPLE WHO WERE AWARE OF
BLONDIE AND LISTENED TO YOU IN THE BEGINNING, YOU WERE
SOMETIMES A ROLE MODEL FOR THE NEW WAVE, PUNK ROCK
SCENE; AND YOU GRACED THE PAGES OF THE NEW YORK
ROCKER, "PUNK TABLOIDS", TROUSER PRESS, ETC.
NOW YOU'VE BECOME A "ROLE MODEL" FOR AN
ENTIRELY DIFFERENT CROWD OF THE FASHIONABLY CHIC, YET
YOU SEEM TO INTERGRATE BOTH WORLDS EASILY. HOW DO YOU
DO IT?
QUESTION 12 . . . WHEN YOU STEP INTO THE STUDIO TO
RECORD, ARE MOST OF THE SONGS AND ARRANGEMENTS
FINISHED? DO YOU WRITE AT ALL WHILE IN THE STUDIO?
QUESTION 13 . . . HOW DO YOU SEE THE OVERALL
FUNCTION OF THE STUDIO WITH REGARD TO CAPTURING OR
SHAPING BLONDIE'S SOUND? WHAT ARE THE LIMITATIONS OF A
STUDIO TO YOU?
QUESTION 14 . . . THE TERM, "DANCE
MUSIC", IS DUEL-SIDED AS IT CAN REPRESENT A LIGHT
POP APPROACH, OR THE IDEA OF EXPERIMENTAL NEW
FRONTIERS (THIRD WORLD MUSIC, A LA ENO, TALKING
HEADS). WHAT PROMPTED THE DANCE RHYTHM EMPHASIS ON THE
NEW ALBUM?
QUESTION 15 . . . COULD YOU ACQUAINT US WITH THE
PLUSES AND MINUSES INVOLVED WITH THE SUCCESS OF A
GROUP LIKE BLONDIE? WHAT'S BETTER THAN IT WAS BEFORE,
AND WHAT DO YOU WISH YOU COULD HAVE HELD ONTO THAT'S
NOW GONE?
CREDITS:
CONCEPTS AND QUESTIONS . . . . . FRANK ANDRICK, ANN
OLSSON AND THE STAFF AT KSJO, SAN JOSE, CALIFORNIA.
ANSWERS: . . . . . . . . . . . . CHRIS STEIN AND
DEBORAH HARRY OF BLONDIE.
SPECIAL THANKS . . . . . . . . . KID LEO.
PRODUCED BY . . . . . . . . . . ROXY MYZAL, IN
COOPERATION WITH CHRYSALIS RECORDS.
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